Salve Regina (Latry)

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Salve Regina ( Hail Holy Queen , literally: Hail, Queen) is a composition for organs by Olivier Latry, a meditation of the Latin hyme "Salve Regina". Each of the seven movements reflects a line of singing that can be optionally sung in the chant before the movement. This work was first performed on October 9, 2007 by a composer at Notre Dame in Paris, recorded there and published by GÃÆ' Â © rard Billaudot.

Video Salve Regina (Latry)

History

Latry, the organist at Notre Dame in Paris, is known as an improviser. He was aware of the idea of ​​commenting on the Gregorian song of the Marian hymn by the first musical organ in improvisation at Lawrence at the University of Kansas in 1999 in the last concert of a church music conference. Composer did the first job on Notre Dame's Grand Orgue on October 9, 2007, with singer Emmanuel Bouquet and MaÃÆ'®trise Notre Dame de Paris. It was published by GÃÆ' Â © rard Billaudot. Latry recorded it along with other contemporary compositions related to Mary. He premiered in the United States at St. Ignatius Loyola in New York City on April 15, 2009.

Maps Salve Regina (Latry)

Structure and music

Each of the seven movements reflects a line of singing that can be optionally sung in the chant before the movement. Songs can be performed by female or male soloists, schola or children's choirs. This movement is very contrasting.

I Salve Regina - Avec la libertà ©  © du chant grÃÆ'  © gorien (With Gregorian singing freedom)

II Vita dulcedo - Calme (Relax)

III Ad te clamamus - MartelÃÆ'Â ©, sauvage (Terribly, wild)

IV Ad te suspiramus - Sombre, stubborn (Dark, nonstop)

V Eia ergo - Profond (Deep)

VI Et Jesum - Perform lente none procession (Like slow procession)

VII O clemens

Jobs take about 23 minutes to perform. Latry expresses different emotions from Mary's call with signs that are more focused on mood than tempo. Salve Regina (Hail, Holy Queen, Mother of Mercy) has freedom from the Gregorian song. Vita dulcedo (Greetings, our lives, our sweetness and hope) calm down. Ad te clamamus (For weeping, poor children of Eve's discarded) is a call, a hammer and a wild one. Ad te suspiramus (To us we send our breath, mourn and weep in this tear) looks dark and without stop. Eia ergo (At that time, the most generous advocate, thy mercy eyes toward us) was very deep. Et Jesum (And after this our exile, showing us the blessed fruit of your womb, Jesus) is a slow procession. The last call O clemens (O clement, O loving, O sweet Virgin Mary) has no sign. It ended like a bell. The composer writes in his program notes for the premiere of Christians in the United States in "moments of deep faith, joy, doubt, incomprehension, despair, rebellion, hope, happiness and happiness", expressed in the reflection of prayer to Mary. The show reviewer on November 7th at St. Bonifatius, Wiesbaden, interpreted by Gabriel Dessauer, describes the work as a surprising retrospection ("erstaunlich rÃÆ'¼ckwÃÆ'¤rtsgewandt") and notes that it makes the listener feel the complete cosmos of mankind, including cruelty and violence, from which pray requests should be freed (" den gesamten Kosmos des Menschlichen nachempfinden lieÃÆ'Ÿ, einschlieÃÆ'Ÿlich der Grausamkeit und Gewalt, aus der diesem Gebet um Errettung gebeten wird ").

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References

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External links

• John Terauds: Olivier Latry dazzles at Notre-Dame's organ in Paris Musical Toronto August 8, 2013

Source of the article : Wikipedia